Voyage to Italy

A reserved British couple (Ingrid Bergman and George Sanders) take a break from the chaos of London and retreat to the rugged landscape of Naples, only to find that outside of the structure of their everyday lives, the tedium of their marriage begins to emerge. Under the glistening surface of its minimal plot, Rossellini’s film amasses subtle details and small moments that build towards one of postwar cinema’s most enigmatically poignant conclusions. Again, Rossellini’s use of the environment as a relevant character is a precursor to Antonioni’s bleak industrial landscapes, serving as a link between neo-realism and the subjective, psychological cinema of the 1960s.

Genres: Neorealism

Other Films by Roberto Rossellini

Europa ’51

The second collaboration between Rossellini and Bergman chronicles the life of a wealthy American woman living in Rome who is thrown into turmoil when her young son commits suicide over what he perceived to be her lack of affection for him. The woman’s grief leads her to the realization that she has been living a

Stromboli

The film where Rossellini fatefully met Ingrid Bergman, STROMBOLI—like their later VOYAGE TO ITALY—is a semi-autobiographical portrait of its star’s stranger-in-a-strange-land predicament. Bergman plays a Lithuanian war refugee who marries a fisherman on the remote Sicilian island of Stromboli in order to escape an internment camp. Moving from the environmental reality that characterized his earlier