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Voices of Light The Passion of Joan of Arc

One of the most elemental and stunning silent films in world cinema, Dreyer’s examination of the trial of Joan of Arc remains as intense and affecting as it was 90 years ago. Legendary French stage actress Reneé Jeanne Falconetti delivers one of cinema’s greatest performances as Joan, the 19-year-old burned at the stake in 1431 following a grueling trial for heretical behavior among other crimes (Joan was posthumously exonerated and is now a French national hero). Dreyer was innovative in his deep and unflinching interest in the faces of his actors, the master believing that “nothing in the world can be compared to the human face. It is a land one can never tire of exploring. There is no greater experience in a studio than to witness the expression of a sensitive face under the mysterious power of inspiration. To see it animated from inside, and turning into poetry.”—Carl Theodor Dreyer.

Accompanying the film will be a performance of Richard Einhorn’s imaginative oratorio “Voices of Light,” written for the film. “Voices of Light” features Camerata PYP with vocals by In Mulieribus, three Portland State University ensembles, Chamber Choir, Vox Femina, and Man Choir, and vocal soloists Catherine van der Salm, Hannah Penn, Brian Tierney, and Anton Belov. Official media sponsor is All Classical Portland. Information and tickets at portlandyouthphil.org.

Genres: Drama

Other Films by Carl Theodor Dreyer

Gertrud

Dreyer’s final film, Gertrud, is last in a long run of masterpieces. A portrait of a woman in crisis, the film follows Gertrud Kanning (a marvelous Nina Pens Rode), a former opera singer looking for a way out of her loveless marriage to a neglectful man enraptured with his career as a lawyer. Strong-willed, independent

Ordet

Ordet, or “the word,” follows the Borgen family, led by the widowed patriarch Morten (Henrik Malberg). The pull of a local religious sect, in strict opposition to the family’s practiced Christianity, underlies this profound story of faith and redemption. The eldest Borgen son (Emil Hass Christensen) experiences a crisis of faith when his wife (Birgitte

Day of Wrath

Made nearly ten years after Dreyer’s landmark Vampyr, Day of Wrath, set in the 1620s, charts the loveless marriage of Anne (Lisbeth Movin) and the Reverend Absalon Pederssøn (Thorkild Roose). When Absalon’s son (Preben Lerdorff Rye) returns to the small village, Anne is forced to reconcile her feelings for the young man with her marital

Vampyr

Shot on location and in three languages at a time when both practices were radical innovations, Dreyer’s haunting vision of the macabre was produced independently. Allan Gray (Nicolas de Gunzburg) is a young occultist who travels to Courtempierre, France, which has been cursed by a vampire (Henriette Gérard). She has much of the town under

Master of the House

One of Dreyer’s early works, Master of the House was ahead of its time in its examination of marital relations and the power structure of the traditional family home. Viktor Frandsen (Johannes Meyer) is the arch-patriarch who requires perfect order in his home, much to the chagrin of his wife Ida (Astrid Holm) and the