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Toute une nuit

  • Directed by Chantal Akerman
  • Belgium/France/Netherlands/Canada, 1982, 90 mins., French

One summer night in Brussels, sweltering heat stifles the community, which draws people out of their comfort zone and into despair. Akerman explores a series of on-the-brink relationships—break-ups, reconciliations—in the context of this hottest night of the year, where defenses are built, but at the same time, are down. Nearly wordless yet filled with subtle meaning through a dense choreography of bodies moving through space and time, Akerman’s vision of modern love becomes a city symphony of the intimate space, in direct opposition to and subversion of the hyper-masculine city symphonies of the early 20th Century. Thrillingly shot in dark hues by famed cinematographer Caroline Champetier, Toute une nuit is a “subtle and relevant validation on the singularity of human existence—a chronicle of the irrepressible passion and vitality that lay beneath the surface of an alienating urban landscape.”—Strictly Film School. Fragments.”—Chantal Akerman, “The Pajama Interview.”

Genres: Drama

Other Films by Chantal Akerman

Nuit et jour (Night and Day)

Julie and Jack, recently arrived in Paris, are a young couple from the provinces who spend their days making love and their nights apart, while Jack drives a taxi and Julie walks the streets, waiting for him to come home.  Their vague aspirations take a backseat to their constant passion. “Music” resonates throughout—Julie sings wordlessly

From the Other Side

On the Mexico-US border, the twin towns of Agua Prieta, Sonora and Douglas, Arizona—far from the population centers of Juarez/El Paso or Tijuana/San Diego—are home to both hopeful, persistent immigrants and resilient, spiteful permanent residents. As with most of Akerman’s documentary work, she brings a keen, searching eye to this most barren of places, in

Sud

The work of James Baldwin and William Faulkner long influenced Chantal Akerman’s work and life, and she had long planned to shoot a film about the American south — and finally, an opportunity came just before the new millennium. But in Jasper, Texas, mid-1998, James Byrd, Jr., an African-American man, was dragged behind a vehicle

Almayer’s Folly

With Almayer’s Folly, Akerman tackles the terrible legacy of the European colonial project in Southeast Asia head-on through an adaptation of Joseph Conrad’s late-19th-century novel of the same name. Crucially, Akerman makes a handful of changes, transposing Conrad’s Cambodia for Malaysia and Conrad’s 19th Century for the 1950s, the tail end of direct colonial control.

Le Demenagement & Le Jour Où

In a script written by Akerman, a man stands in his new apartment in a state of inertia and dislocation. Le Demenagement records the man delivering an extended soliloquy, surrounded by boxes of his possessions. He cannot bring himself to unpack, as he is preoccupied with feelings of indecision and regret. Akerman circumscribes the man’s