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In accordance with the recent mandate from Oregon Governor Kate Brown, masks are required during Open-Air Cinema at OMSI. Masks continue to be required for all staff and visitors at the Portland Art Museum, including Venice VR Expanded.

Directed by Djibril Diop Mambety

Senegal 1973 85 mins. In Wolof, Arabic, French with English subtitles

Widely considered one of the most important African films of all time, Mambéty’s striking debut is a French New Wave-inspired portrait of youthful vigor and the desire to escape the social strictures of early-1970s Senegal for the perceived greener pastures of their colonizer’s land, France. Following young lovers Mory (Magaye Niang) and Anta (Myriam Niang) as they fall in love and set their sights on Paris, the film shows a heavily stylized version daily life in the Dakar that Mory and Anta long to escape, while slowly finding its core identity as a staunchly anti-colonialist work of art. Featuring stunning high-saturation color images (with exceptional framing), elliptical editing, strong symbolism, and a lovely soundtrack, Touki-Bouki is a masterpiece of mood and political fervor which should have launched a long and storied career for Mambéty—in fact, he only made one more feature and a handful of short films.

Content warning: scenes of graphic animal violence.

The Northwest Film Center recognizes and honors the Indigenous peoples of this region on whose ancestral lands the museum now stands. These include the Willamette Tumwater, Clackamas, Kathlemet, Molalla, Multnomah and Watlala Chinook Peoples and the Tualatin Kalapuya who today are part of the Confederated Tribes of Grand Ronde, and many other Native communities who made their homes along the Columbia River. We also want to recognize that Portland today is a community of many diverse Native peoples who continue to live and work here. We respectfully acknowledge and honor all Indigenous communities—past, present, future—and are grateful for their ongoing and vibrant presence.