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The Whitsell Auditorium and the Northwest Film Center Equipment Room are closed to the public in an effort to further stem the spread of COVID-19. All classes canceled until further notice. Stay connected to art, film, and more by signing up for our newsletter.

Directed by David Lynch

United States 1980 124 mins. In English

Surreptitiously produced by none other than Mel Brooks, Lynch’s haunting, macabre, and beautiful vision of Victorian London was—following the cult circuit successes of Eraserhead—the director’s first critical and commercial smash, garnering eight Oscar nominations and sparking an outcry over the lack of distinction for the film’s achievements in makeup, which caused the Academy to create an award honoring makeup artists. John Hurt unforgettably stars as John Merrick, a facially disfigured “freak” kept in bondage and callously displayed to paying audiences as entertainment. Dr. Treves (Anthony Hopkins) discovers Merrick, and seeks to free him, but Merrick’s captor Mr. Bytes (Freddie Jones) has other ideas. Shot in luminous black-and-white by Freddie Francis and featuring a career-defining, heartbreaking performance by Hurt, the film “exerts an almost total hold over its audience, using a combination of image, sound, and story to produce a gut reaction which is, in my experience, almost unprecedented. For all its period trappings and classical narrative, The Elephant Man remains a wonderfully idiosyncratic, creatively groundbreaking film: perhaps we simply have yet to catch up to it.”—Tom Huddleston, Not Coming to a Theater Near You. “It was a very, very difficult film for me, because I was in a place where a lot of people thought I didn’t belong. I had made one feature no one had heard about, and here I am, born in Missoula, Montana, making a Victorian drama. I think a lot of people thought: Who is this nutcake? Who was I to be doing this?”—David Lynch.  35mm print courtesy of Lowell Peterson, ASC.



The Northwest Film Center recognizes and honors the Indigenous peoples of this region on whose ancestral lands the museum now stands. These include the Willamette Tumwater, Clackamas, Kathlemet, Molalla, Multnomah and Watlala Chinook Peoples and the Tualatin Kalapuya who today are part of the Confederated Tribes of Grand Ronde, and many other Native communities who made their homes along the Columbia River. We also want to recognize that Portland today is a community of many diverse Native peoples who continue to live and work here. We respectfully acknowledge and honor all Indigenous communities—past, present, future—and are grateful for their ongoing and vibrant presence.