The Call of Blood

Though Suzuki created it in the midst of his stylistic breakthrough, The Call of Blood has never received the same amount of attention as other films he made around the same time. Nikkatsu icons Hideki Takahashi and Akira Kobayashi star as brothers—one a gangster, the other an ad man—who unite to avenge their yakuza father’s death eighteen years before. The film features a bold use of color, an absurdist concluding gunfight, and, in one memorable scene, an impressively illogical use of rear projection as the brothers argue in a car while ocean waves rage around them. Print courtesy of the Japan Foundation. (Japanese with English subtitles)

Genres: Crime, Action

Other Films by Seijun Suzuki

Carmen from Kawachi

Carmen from Kawachi

A 1960s riff on the opera Carmen (including a rock version of its famous aria “Habanero”), this picaresque tale sends its heroine from the countryside to Osaka and Tokyo in search of success as a singer. Her journey is fraught with exploitation and abuse at the hands of nefarious men—until Carmen seeks revenge. Mixing comedy,

Gate of Flesh

Gate of Flesh

Part social realist drama, part sadomasochistic trash opera, Gate of Flesh paints a dog-eat-dog portrait of postwar Tokyo. The film takes the point of view of a gang of tough prostitutes working out of a bombed-out building. When a lusty ex-soldier lurches into their midst, the group’s most sensitive member is tempted to break one

Tattooed Life

Tattooed Life

Set in the 1930s, Tattooed Life is the story of two brothers: Kenji, an art student, and Tetsu, who is working as a yakuza to help pay for Kenji’s tuition. When a hit job goes horribly wrong, the brothers flee. They end up finding work in a mine—and falling in love with the owner’s wife

Yumeji

Yumeji

Made ten years after its predecessor, the final film in the Taisho Trilogy spins a fantastical tale from the life of a historical figure. Takehisa Yumeji (1884–1934) was an artist known as much for his paintings of beautiful women as for his bohemian lifestyle. As played by rock star Kenji Sawada, the Yumeji of Suzuki’s

Kagero-za

Kagero-za

According to film critic Tony Rayns, Kagero-za “may well be Suzuki’s finest achievement outside the constraints of genre filmmaking.” In this hallucinatory adaptation of work by the Taisho era writer Kyoka Izumi, a mysterious woman named Shinako invites Matsuzaki, a playwright, to the city of Kanazawa for a romantic rendezvous. While Matsuzaki is on his