The film where Rossellini fatefully met Ingrid Bergman, STROMBOLI—like their later VOYAGE TO ITALY—is a semi-autobiographical portrait of its star’s stranger-in-a-strange-land predicament. Bergman plays a Lithuanian war refugee who marries a fisherman on the remote Sicilian island of Stromboli in order to escape an internment camp. Moving from the environmental reality that characterized his earlier neo-realist films to a psychological realism foreshadowing Antonioni’s L’AVENTURRA (1960), Rossellini’s film contrasts the island’s desolate, volcanic landscapes with its leading lady’s emotional turmoil. The barren, sulfurous rock proves a formidable and unpredictable rival for Bergman’s ferocious will. “An intensely moving exploration of sainthood and spirituality.”—Martin Scorsese.