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Strangers on a Train

Tennis pro Guy Haines is in a bad marriage when he’s approached by a perfect stranger, Bruno (Robert Walker), who idly contemplates the perfect murder. Bruno speculates that if he gets Guy’s wife out of the way, then Guy could take care of Bruno’s untenable father and each could have an alibi for the murder they’d be suspected of and no discernable motive for the crime they committed. “Bruno’s manner is pushy and insinuating, with homoerotic undertones . . . not a psychological study, however, but a first-rate thriller with odd little kinks now and then.”—Roger Ebert.

Genres: Drama, Mystery, Crime

Other Films by Alfred Hitchcock

Vertigo

Topping Sight & Sound’s most recent critics’ poll of the 50 greatest films of all time, this 1958 psychological thriller was considered a critical and box office failure in its initial release. Hitchcock casts Jimmy Stewart against type as a traumatized, former San Francisco cop turned gumshoe whose chance encounter with a mysterious woman (Kim

Rear Window

One of the most famous procedural thrillers in film history and routinely voted amongst the greatest films ever produced, Rear Window came relatively early in a long string of masterpieces from Hitchcock that all delve deeply into the American consciousness. L.B. “Jeff” Jefferies (James Stewart) is a New York magazine photographer who spends most of

Easy Virtue

Hitch’s “wrong man” theme finds early expression in this tale of a young woman divorced by her husband after being wrongfully accused of adultery.

Downhill

“DOWNHILL mixes cynical humor with sexual horror as it tracks star rugby player Roddy’s descent from upstanding British schoolboy to Montmartre gigolo, the downhill road laid for him by a series of scheming women. Hitchcock’s formal audacity is on flamboyant display in false flashbacks, upside-down POV shots, and massive foreground objects dwarfing the characters behind

Easy Virtue

The tyrannies of polite British society come under scrutiny in this adaptation of Noël Coward’s stage hit of the same name. Adapted by Eliot Stannard, who scripted most of Hitchcock’s silent films, EASY VIRTUE offers an early example of one of Hitchcock’s favorite themes: the “wrong man”—in this case, woman. After Larita Filton is unjustly