- Directed by Various
- Portland/United States, 2001, 60 mins.
Since 1977, the Film Center’s statewide Filmmakers-in-the-Schools Program has partnered with K-12 schools and community organizations around Oregon to bring the power of filmmaking to young people through artist residencies with Film Center faculty. Hundreds of youth-made films have been created, many of them now a capsule in time. With support from a grant from the Oregon Heritage Commission and Oregon Parks and Recreation Department, 84 of these films have recently been rescued from the clutches of aging videotape stock by being digitized onto archival media. Drawing from these archives, this screening presents a vintage youth-eye-view of how nature and land define and reflect us and includes: The Coyote Who Stoll the Stars (1993), created with Grand Ronde youth with artist-in-residence Sharon Genasci; Life in a Country School (1986), about growing up on Sauvie Island, created with Sauvie Island School and artist-in-residence Jack Sanders; Wetland Neighbors (1993), a look at the urban wildlife of SW Portland, created with Oregon Episcopal School and artist-in-residence Lawrence Johnson; Brownfields in Our Backyard (1994), a call to end the blight of polluted properties along MLK Boulevard in NE Portland, created by students at The Galdys McCoy Academy and artist-in-residence Patrick Rosenkranz; Looking at Wildflowers (1994), a poetic meditation on how the outdoors frames our identity, created by students in Portland’s White Shield School and Cieridwen Terrill; Mi Gente (2001), the Latino community in Ontario, created with Treasure Valley Community College, the Oregon Council for Hispanic Advancement and artist-in-residence Enie Vaisburd.
Appears in: Northwest Tracking
Other Films by Various
Portland Latino teens and artists reflect on the everyday heroes and precious objects in their lives in these documentaries collaboratively produced by Milagro Theatre Group and the Northwest Film Center School of Film. Historias de Objetos examines the long and rich tradition of personal objects in the Latino community as told through the eyes of …
A visit to a room, dark-adapted; an opportunity to leave-without-traveling. Please remain seated. These are our momentary intersections of place and time.
The observable universe–isotropic in orientation–does not conform to all observers equally. As perspectives shift, that which is known and unknown (as well as knowable and unknowable) shifts accordingly. It fails to remain the same in all directions.
Tonight the screen is yours. We throw open the doors of the Whitsell Auditorium inviting you to show your new short work. If you have something you’re proud of, sign up by contacting Thomas Phillipson by July 13 at firstname.lastname@example.org. First come, first served as time allows, with preference given to works under 10 minutes. Bring …
Are you curious to know what goes on behind the doors of the School of Film? Come check out our open screening of the finished class and student projects from Winter Term 2014! Watch our student work, enter a free raffle, and join us afterwards at an informal reception where you can meet the filmmakers.