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One Sings, the Other Doesn’t

Varda’s mid-career film, dripping in garish ’70s color schemes, is a paean to female friendship and solidarity. The friendship of free-spirited Pauline (Valérie Mairesse) and down-to-earth Suzanne (Thérèse Liotard) forms in the early ’60s after Pauline visits a photography show staged by Suzanne’s partner. Over the years, the two women weave in and out of each other’s lives, which take divergent yet intricately connected paths. Varda charts their experiences as a series of dichotomies, Pauline and Suzanne working hard to understand the other’s experiences while attending to their own worldviews and major life events. One Sings, the Other Doesn’t is a complex, layered portrait of two women in the thick of political turmoil and social upheaval. “In politics, or as feminists, there are different ways in which we can work. If you want to make a feminist film, you can work outside the system, in the underground, and you can make a very radical statement, but even if your message is very good, you will reach perhaps five thousand people. You will never reach the mass of women.”—Agnès Varda.

Genres: Drama

Other Films by Agnès Varda


In Varda’s own words a poetic soliloquy for an unknown woman, this 1985 masterpiece follows Mona (an unforgettable Sandrine Bonnaire), a woman wandering the French countryside, looking for something unspecified—perhaps safety, security, and happiness. Through a series of chance encounters with strangers (mostly non-actors), Mona moves through a world at once familiar and alien, in

Faces Places

Much as she did with her much-loved classic The Gleaners and I (2000), this whimsical yet profound road trip through the French countryside offers a beautiful meditation on the journey through life and the kindred spirits you meet along the way. Eighty-eight year-old Agnès Varda, with her companion,  acclaimed 33-year-old visual artist JR, tour rural

Cléo from 5 to 7

Varda’s breakthrough film—a landmark of feminist cinema and one of the only Nouvelle Vague (New Wave) films to deal entirely with a woman’s perspective on life—follows Cléo (Corinne Marchand), a beautiful singer who, following a fateful and harrowing tarot reading, fears she has cancer and that death is imminent. Cléo’s life, very far removed from

Kung-Fu Master

Varda’s son Mathieu Demy stars alongside Jane Birkin and Charlotte Gainsbourg in this tender look inside a mother-daughter-boy love triangle of sorts. Lucy (Gainsbourg) and Julien (Demy), 14-year-old schoolmates, have a kind of on-again, off-again relationship—tentative, at times cruel, at times sweet; in short, a teenage romance. But when Julien takes a liking to Lucy’s

Jane B. Par Agnès V.

Varda’s freewheeling documentary, never before released in the United States, is a deeply idiosyncratic portrait of the famed French actress, singer and cultural muse Jane Birkin. The film—ostensibly spanning the decade from age 30 to 40 and produced on the occasion of Birkin’s 40th birthday—delves us directly into Birkin’s thoughts, hopes, and fears through series