Clouzot’s controversial, claustrophobic film noir, set in a small countryside hamlet referred to as “anywhere,” follows the small-town doctor Germain (Pierre Fresnay) with a sordid past to hide and nowhere else to go. When townsfolk (at large) suspect Germain of performing secret abortions, he is put on the defensive, with mysterious ransom-esque notes showing up left-and-right, all signed The Raven. But who exactly is The Raven, and why have they trained their sights on the hard-nosed Germain? Clouzot’s atmospheric vision of small-town mores, dripping with suspicion and with neighborly betrayal around every stone corner, is an “unforgettable movie. Upon its release, Le Corbeau discomfited both the left and the right. It was denounced by the Catholic Church and banned after the Liberation; Clouzot had shown, with mortifying clarity, how ordinary people could behave when given the chance to finger their fellow-citizens—and, in the process, to assuage their own lurking shame.”—Anthony Lane, The New Yorker.
Appears in: Weekend Engagements
Genres: Film Noir
Other Films by Henri-Georges Clouzot
Often overshadowed by the earlier controversy of Le Corbeau (1943) and the later unimpeachable masterpieces The Wages of Fear (1953) and Diabolique (1955), Quai des Orfèvres is one of noir master Clouzot’s finest films and here newly restored, ready to take its rightful place in the upper echelon of his work. Artist couple Jenny (Suzy …