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Directed by William Wyler

United States 1938 104 mins.

Her role in Wyler’s sensitive Antebellum drama garnered Bette Davis the second—and somewhat shockingly, final—Oscar of her burgeoning career, unforgettably playing the careening New Orleans society belle Julie Marsden. Julie is engaged to Preston “Pres” Dillard (Henry Fonda in a particularly headstrong role), a banker in the midst of the biggest deal of his career, who refuses to drop his work obligations at Julie’s beck and call. Julie lashes out and Pres, unwilling to capitulate, fights back—most prominently in an unforgettable, lavish Olympus Ball sequence. But in Jezebel, where lovers freely quarrel and North-South politics collide, a yellow fever outbreak looms and the couple’s fighting soon takes a back seat to more substantial concerns—namely, life and death. In the end, Davis steals the show, for Jezebel is “a lurid Deep South women’s picture that allows Davis first to scheme then repent: it is lit up by her little girl’s conviction—a trash heap glowing at twilight…Now at last she was in her tortured element.”—David Thomson, A Biographical Dictionary of Film. 35mm print courtesy of the Library of Congress.

Genres: Drama

Appears in: Bette & Joan

The Northwest Film Center recognizes and honors the Indigenous peoples of this region on whose ancestral lands the museum now stands. These include the Willamette Tumwater, Clackamas, Kathlemet, Molalla, Multnomah and Watlala Chinook Peoples and the Tualatin Kalapuya who today are part of the Confederated Tribes of Grand Ronde, and many other Native communities who made their homes along the Columbia River. We also want to recognize that Portland today is a community of many diverse Native peoples who continue to live and work here. We respectfully acknowledge and honor all Indigenous communities—past, present, future—and are grateful for their ongoing and vibrant presence.