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Hour of the Wolf

Despite having toyed with aspects of psychological horror in prior films such as The Silence and Persona, Hour of the Wolf remains Bergman’s only exercise in true horror. Shot on Bergman’s beloved island of Fårö, the film concerns an artist (Max Von Sydow) who recounts a series of disturbing delusions, indistinguishable from reality. Liv Ullmann plays his pregnant wife who is powerless to help him as he slips further into madness. “A must for fans of horror and Bergman. So good it makes you wish he had dabbled in the genre a bit more often.”—Kim Newman, Empire. Best Director, National Society of Film Critics. In Swedish with English subtitles.

Genres: Drama, Horror

Other Films by Ingmar Bergman

Summer with Monika

Originally regarded as an erotic exploitation film, Monika enjoyed reappraisal as Bergman gained international recognition. Here he first articulates his recognizable psychological affinity with the ocean shore in a story of naïve desire and doomed romance. Shy, bourgeois Harry (Lars Ekborg) and the sultry, restless Monika (Harriet Andersson), escape their dreary lives in Stockholm and

The Virgin Spring

Bergman returns to the medieval Sweden of The Seventh Seal with this decidedly modern parable based on a 14th-century religious folk tale pitting Christian revenge against pagan magic. Töre (Max Von Sydow), a devoted father, leads a quiet, dignified family life. His love for his daughter Karin (Birgitta Pettersson) is affectionate but overbearing, and his

Smiles of A Summer Night

The inspiration for Woody Allen’s A Midsummer Night’s Sex Comedy and Steven Sondheim’s A Little Night Music, Bergman’s Smiles is an erotic, nostalgic jab at upper-class sexual repression and marital dysfunction. At a turn-of-the-century country estate, eight men and women—invited for a summer weekend—embark on frenzied rounds of sexual intrigue and deception as they variously

Autumn Sonata

Bergman’s only collaboration with Swedish film legend Ingrid Bergman, Autumn Sonata serves as a complimentary, yet more melancholy parallel to Wild Strawberries. Charlotte (Bergman), a professional musician, examines her life from the contemplative perch of old age. After having watched a lover die, she is reunited with her neglected and estranged daughter. Eva (Liv Ullmann)

Shame

Musicians Jan (Max Von Sydow) and Eva (Liv Ullmann), take refuge in a remote farmhouse hoping to escape the coming horrors of a civil war. There they face Bergman’s classic themes of personal isolation and fatalism, set in the context of political violence. Shame finds the director trying to make sense of postwar Europe in