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Directed by Ernst Lubitsch

United States 1943 112 mins.

Aging playboy Henry Van Cleve (Don Ameche) dies and dutifully heads directly to hell, where the lobby looks very similar to massive, marbled bank branch. The devil (Laird Cregar) greets Van Cleve, and agrees to hear his story before admitting him below. Thus the film proceeds backwards through the touchstones of Van Cleve’s life: his turbulent, silver-spoon-fed childhood and his marriage to the beautiful and mysterious Martha (Gene Tierney), and finally to his death bed. Through charming voiceover by Ameche, however, the film gives us ample reason to doubt his credentials for final entry into the abyss. The only film of Lubitsch’s distinguished career to be shot in glorious Technicolor, Heaven Can Wait is the kind of film for which the very idea of the Hollywood studio system came into being. “A film about time, lived time—the time that marches on, that ages, marked by the cycle of birthdays and anniversaries; and the time that doubles back, that echoes and remembers itself, thanks to those same, annual rituals. An infinitely melancholic and gorgeous movie.”—Adrian Martin, de Filmkrant.



The Northwest Film Center recognizes and honors the Indigenous peoples of this region on whose ancestral lands the museum now stands. These include the Willamette Tumwater, Clackamas, Kathlemet, Molalla, Multnomah and Watlala Chinook Peoples and the Tualatin Kalapuya who today are part of the Confederated Tribes of Grand Ronde, and many other Native communities who made their homes along the Columbia River. We also want to recognize that Portland today is a community of many diverse Native peoples who continue to live and work here. We respectfully acknowledge and honor all Indigenous communities—past, present, future—and are grateful for their ongoing and vibrant presence.