Winner of the Golden Lion at the Venice Film Festival, FAUST is Sokurov’s fourth and final film in his tetralogy on the corrupting effects of power. In MOLOCH (1999), TAURUS (2001), and THE SUN (2005), Sokurov turned his gaze on Hitler, Lenin, and Japan’s Emperor Hirohito, respectively. Here, the RUSSIAN ARK director offers a visceral, freestyle reading of the legend of Dr. Faust, a scholar who exchanges his soul for unlimited knowledge. Departing sharply from Goethe’s version of the tale, Sokurov’s Faust (Johannes Zeiler) inhabits an earthy, 19th-century world of primitive autopsies and medical rituals. He becomes obsessed with the beautiful Margarete (Isolda Dychauk) and desperately turns to a physically grotesque Moneylender to conjure their union. “Intensified by the immersive, painterly cinematography of Bruno Delbonnel (AMELIE), FAUST is a poetic meditation on, and a sensually overwhelming vision of, man’s unyielding hunger for knowledge.”—AFI Film Festival.