A Hollywood legend of outsized proportions, Huston returned to critical and commercial success with the late-career Fat City, which trades in the classically drunken crime and adventure noir (The Big Sleep, Treasure of the Sierra Madre) upon which he built a career for a more worldly—and world-weary—neo-noir milieu of amateur boxing. Stacy Keach is unforgettable here as Billy Tully, a washed-up fighter who, upon forming a friendship with the 18-year-old Ernie Munger (Jeff Bridges), decides to try his luck again at a career in the ring. Along the way he meets a career barfly (Susan Tyrrell), but this is not the kind of relationship upon which romantic movie dreams are normally built. Prismatic in its portrayal of a working class with few solid life options beyond menial labor, shabby bars, and the ring from which they cannot escape, Fat City “is a barbed, bitter pill that hurts like hell going down—especially if you aren’t expecting the pain. Once you’ve swallowed it, it’s impossible to watch fight films with a sense of escapism.”—Dante A. Ciampaglia, The Paris Review.
Appears in: (Re)Discoveries: New Restorations, New Prints
Other Films by John Huston
The fourth and final Bogie and Bacall film reunited Bogart (for the third time) with his old drinking buddy and director John Huston. Adapted from a Broadway play by Maxwell Anderson (The Wrong Man, All Quiet on the Western Front), Key Largo is a hybridized noir with callbacks to the classic gangster films of the …