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Directed by Ingmar Bergman

Sweden 1982 188 mins. In Swedish

With his most pronounced cinematic meditation on childhood and memory, Ingmar Bergman abandons the expressionistic and existentially obsessive tendencies that informed so much of his classic work, shifting focus to a warm and primarily realist mode of storytelling in service of peering back into the era of his youth. Fanny and Alexander is the great Swedish master’s most autobiographical work, filled to the brim with keen observations of family life and the upper class values and manners of early 20th century Sweden. Shot in warm tones that match the glow of the magic lantern so vividly captured in the film, Bergman collaborates here, once again, with cinematographer Sven Nykvist in crafting a look that effortlessly conjures the period and emotional weight of his material. Ostensibly his retirement picture (though he continued to write and direct for the stage and small screen), Fanny and Alexander is an elegant denouement to one of the greatest careers of the cinema. “As childhood films and memory films go, Fanny and Alexander is likely the best of either ever made.”—Chris Cabin, Slant Magazine. In Swedish, German, and Yiddish with English subtitles.

The Northwest Film Center recognizes and honors the Indigenous peoples of this region on whose ancestral lands the museum now stands. These include the Willamette Tumwater, Clackamas, Kathlemet, Molalla, Multnomah and Watlala Chinook Peoples and the Tualatin Kalapuya who today are part of the Confederated Tribes of Grand Ronde, and many other Native communities who made their homes along the Columbia River. We also want to recognize that Portland today is a community of many diverse Native peoples who continue to live and work here. We respectfully acknowledge and honor all Indigenous communities—past, present, future—and are grateful for their ongoing and vibrant presence.