Downhill

“DOWNHILL mixes cynical humor with sexual horror as it tracks star rugby player Roddy’s descent from upstanding British schoolboy to Montmartre gigolo, the downhill road laid for him by a series of scheming women. Hitchcock’s formal audacity is on flamboyant display in false flashbacks, upside-down POV shots, and massive foreground objects dwarfing the characters behind them. The film reaches a psychological and stylistic climax with delirious, nightmarishly vivid visions of an evil feminine conspiracy. ‘I wanted to embody the dream in the reality, in solid, unblurred images,’ Hitchcock later said.”—BFI.

Other Films by Alfred Hitchcock

Vertigo

Topping Sight & Sound’s most recent critics’ poll of the 50 greatest films of all time, this 1958 psychological thriller was considered a critical and box office failure in its initial release. Hitchcock casts Jimmy Stewart against type as a traumatized, former San Francisco cop turned gumshoe whose chance encounter with a mysterious woman (Kim

Rear Window

One of the most famous procedural thrillers in film history and routinely voted amongst the greatest films ever produced, Rear Window came relatively early in a long string of masterpieces from Hitchcock that all delve deeply into the American consciousness. L.B. “Jeff” Jefferies (James Stewart) is a New York magazine photographer who spends most of

Easy Virtue

Hitch’s “wrong man” theme finds early expression in this tale of a young woman divorced by her husband after being wrongfully accused of adultery.

The Manxman

In one of the best works of Hitch’s early career, two boyhood friends—one a lawyer, the other a fisherman—are torn apart when they discover they are in love with the same woman.

The Pleasure Garden

Hitchcock’s first film, shot in Germany and on location in Italy at Lake Como, is set in the world of seedy London nightclubs. Two young dancers, one celebrated, the other finding her way, take intertwined paths to romantic tragedy. The first of several Hitchcock films about women putting faith in men they don’t really know—to