From the gutters of Poverty Row came a movie that, perhaps more than any other, epitomizes the dark fatalism at the heart of film noir. As he hitchhikes his way from New York to Los Angeles, a down-on-his-luck nightclub pianist (Tom Neal) finds himself with a dead body on his hands and nowhere to run—a waking nightmare that goes from bad to worse when he picks up the most vicious femme fatale in cinema history, Ann Savage’s snarling, monstrously conniving drifter Vera. Working with no-name stars on a bargain-basement budget, B auteur Edgar G. Ulmer turned threadbare production values and seedy, low-rent atmosphere into indelible pulp poetry. Long available only in substandard public domain prints, Detour haunts anew in its first major restoration.
Restored by the Academy Film Archive and The Film Foundation in collaboration with Cinémathèque Royale de Belgique, The Museum of Modern Art, and the Cinémathèque Française. Restoration funding provided by the George Lucas Family Foundation. Film provided by Janus Films.
Genres: Film Noir
Other Films by Edgar G. Ulmer
B-picture auteur Ulmer took advantage of one of his biggest budgets to craft this intelligently scripted, solidly acted, amazingly subtle wartime drama–while still retaining his characteristically subversive attitude toward conventional morality. The story centers on a young New Orleans woman named Toni (Nancy Coleman), who is impregnated by a soldier on leave and reluctantly gives …