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Cléo from 5 to 7

Varda’s breakthrough film—a landmark of feminist cinema and one of the only Nouvelle Vague (New Wave) films to deal entirely with a woman’s perspective on life—follows Cléo (Corinne Marchand), a beautiful singer who, following a fateful and harrowing tarot reading, fears she has cancer and that death is imminent. Cléo’s life, very far removed from the horrors of the French-Algerian colonial war raging in 1961, consists of small, routine pleasures: shopping, listening to the radio, and visiting friends. But those routine pleasures in the context of her fears take on entirely new dimensions, and from 5 to 7 pm on her fateful day, Cléo must grapple with her fleeting mortality while those around her downplay her fears. Cléo from 5 to 7 is a groundbreaking and assured blend of documentary and fiction filmmaking strategies; “a film of enduring depth that offers many rewards…one of the most complex and original films of the nouvelle vague.”—Susan Oxtoby, Cinematheque Ontario.

Genres: Drama

Other Films by Agnès Varda

One Sings, the Other Doesn’t

Varda’s mid-career film, dripping in garish ’70s color schemes, is a paean to female friendship and solidarity across artificial boundaries. The old friendship of free-spirited Pauline (Valérie Mairesse) and down-to-earth Suzanne (Thérèse Liotard) re-forms in the early ’60s after Pauline visits a photography show staged by Suzanne’s partner. Over the years, the two women weave

Faces Places

Much as she did with her much-loved classic The Gleaners and I (2000), this whimsical yet profound road trip through the French countryside offers a beautiful meditation on the journey through life and the kindred spirits you meet along the way. Eighty-eight year-old Agnès Varda, with her companion,  acclaimed 33-year-old visual artist JR, tour rural

Kung-Fu Master

Varda’s son Mathieu Demy stars alongside Jane Birkin and Charlotte Gainsbourg in this tender look inside a mother-daughter-boy love triangle of sorts. Lucy (Gainsbourg) and Julien (Demy), 14-year-old schoolmates, have a kind of on-again, off-again relationship—tentative, at times cruel, at times sweet; in short, a teenage romance. But when Julien takes a liking to Lucy’s

Jane B. Par Agnès V.

Varda’s freewheeling documentary, never before released in the United States, is a deeply idiosyncratic portrait of the famed French actress, singer and cultural muse Jane Birkin. The film—ostensibly spanning the decade from age 30 to 40 and produced on the occasion of Birkin’s 40th birthday—delves us directly into Birkin’s thoughts, hopes, and fears through series