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  • Directed by George Cukor
  • United States, 1936, 109 mins., English

A smoldering romantic barn-burner adapted from an Alexandre Dumas story, Camille was one of the most successful films of both star Greta Garbo’s and director George Cukor’s respective careers. In the Cukor’s case, the film is something of an unusual entry in his body of work, as he would become mostly known for intelligent comedies in subsequent years. But Camille is something of a straightforwardly tragic affair, following Garbo as Marguerite, a dissatisfied upper-class socialite with a decidedly working-class background, which creates problems when she falls in love with Armand (Robert Taylor), a young man of considerable means. Conflict aroused by Marguerite’s own feelings about her past and the narrow perspective of Armand’s demanding father creates a tense, cutting atmosphere of stifling high-society mores.

Genres: Drama

Other Films by George Cukor

The Women

Though its focus on modern women’s lives unfortunately made The Women a relative outlier in the 1930s Hollywood pantheon, this delightful melodrama follows three women through the travails (and joys) of their lives: the happy-go-lucky socialite Mary Haines (Norma Shearer), her gossipy, chatterbox cousin Sylvia Fowler (Rosalind Russell), and the seductive, smoky counter girl Crystal


Ingrid Bergman won the first of her three career Oscars for her intensely vulnerable, highly expressive work in Cukor’s taut, subtle marriage thriller. She plays opposite a suitably creepy Charles Boyer, whose psychopathic husband Gregory terrorizes Bergman’s Paula when the two move into her murdered aunt’s house. Upon learning that her aunt was murdered for