In one of his most memorable roles, Peter Sellers plays Chance, a hermetic housekeeper at a wealthy man’s sprawling, lavish residence in Washington, DC. Apparently having not left the estate in some time, he is unceremoniously flung into the world when his patron unexpectedly dies. The problem is that Chance’s only knowledge of the world has come from televised depictions. Soon he is involved in international politics through a series of misunderstandings and misinterpretations, Ashby and screenwriter Jerzy Kosinski gleefully incising the vapidity of electoral politics and the US’s collective fascination with mainstream media versions and distortions of reality. “There’s an exhilaration in seeing artists at the very top of their form: It almost doesn’t matter what the art form is, if they’re pushing their limits and going for broke and it’s working. We can sense their joy of achievement—and even more so if the project in question is a risky, off-the-wall idea that could just as easily have ended disastrously. Being There is a movie that inspires those feelings. . . confoundingly provocative.”—Roger Ebert, The Chicago Sun-Times.