Fassbinder, who in his own way was always examining social norms and systems, here takes on the twin issues of explicit racism and love across generations, with his tale of the chance relationship between Moroccan guest worker Ali (El Hedi ben Salem) and aging, German-born housekeeper Emmi (Brigitte Mira), who meet in a bar when both are feeling depressed about their station in life. When their friends and families (among them Fassbinder himself as a lecherous boy- friend to one of Emmi’s daughters) learn of the relationship, each has a negative reaction, with actions ranging from outward rejection to humiliation. However, rather than focusing solely on the ugliness born of prejudice, Fassbinder focuses on Emmi and Ali’s love for each other, which takes on a poetic, hopeful tone for society in general. “For all his hatred of humanity, Fassbinder really loves his unlikely couple, and I think we wind up remembering this heartbreaking pair long after we’ve forgotten the plot or the argument.”—Jonathan Rosenbaum.
Appears in: (Re)discoveries: New Restorations, New Prints
Other Films by Rainer Werner Fassbinder
This eight-hour, five-episode intimate epic follows toolmaker Jochen (the magnetic Gottfried John) and his extended family (Fassbinder regular Hanna Schygulla) as they navigate life in postwar West Germany. Focused on how a network of committed people can effect societal change, the episodes question domestic and labor structures within a transforming society. Comparable in quality and …