September 10, 2016 – November 7, 2016
Film artists throughout the 20th and 21st centuries have, in many ways, grappled with the power of the mass media and its effects on the political and social sphere. With the relatively recent rise of Internet-based social media, we are experiencing new forms of news reportage, opinion, collective action, and the leverage of data in our everyday lives. But before this digital revolution, crucial public outlets such as newspapers, television, newsreels, and radio disseminated information one-directionally. Cinema has always had a strange, contentious relationship with the mainstream press, and so with Print the Legend, we look back not only at classic film examples of the mass media’s portrayal of politics in the US, but also some of our favorite explicitly or implicitly political films that have resonated deeply with audiences over the years and which have often provided perspectives that the neither the media nor the people are normally able to access. With a focus on films that satirize the political sphere or the machinations of the media, Print the Legend seeks to be an antidote to and critical lens on the 24-hour news cycle. Take a break from the smartphone, be with others, laugh, cry, and consider a different perspective on the mediated theater of political reality, even just for two hours.
Download a printable PDF of the series schedule
A Face in the Crowd
Directed by Elia Kazan
A parable about the dangers of media sensationalism, the problems with “15-minute” fame culture, and unchecked greed, Kazan’s film came …
Ace in the Hole
Directed by Billy Wilder
Out-of-work newspaper reporter Chuck Tatum (a perfectly smarmy, snarling Kirk Douglas in one of his best roles) moves west to …
Being There
Directed by Hal Ashby
In one of his most memorable roles, Peter Sellers plays Chance, a hermetic housekeeper at a wealthy man’s sprawling, lavish …
Born in Flames
Directed by Lizzie Borden
Borden’s landmark, low-budget revolutionary treatise addresses a semi-documentary, semi-fictional parallel world to ours, where competing feminist groups wander the streets …
Brazil
Directed by Terry Gilliam
A shape-shifting film like few others, Brazil stands as Terry Gilliam’s foremost masterpiece and one of the finest political/dystopian satires …
Bulworth
Directed by Warren Beatty
Jay Bulworth, a democratic US Senator from California up for re-election in 1996, is losing on several fronts: in his …
Citizen Ruth
Directed by Alexander Payne
Alexander Payne’s (Election, Sideways, Nebraska) debut feature tackles the circa-1996 reproductive rights debate but plays it as a new kind …
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Directed by Stanley Kubrick
A nuclear-age parable of unmatched film-historical importance and generalized hilarity, Kubrick’s vision of the day before doomsday remains frightening—and side-splitting—over …
Duck Soup
Directed by Leo McCarey
Despite its relative box-office failure upon initial release (a fact that remains shocking to this day), Duck Soup has become …
In the Loop
Directed by Armando Iannucci
Before his brilliant HBO series Veep took US cablewaves by storm, writer/director Armando Iannucci created the British sitcom-of-sorts The Thick …
Medium Cool
Directed by Haskell Wexler
Legendary cinematographer Haskell Wexler’s (Who’s Afraid of Virginia Woolf?, One Flew Over the Cuckoo’s Nest, Days of Heaven) directorial debut …
Meet John Doe
Directed by Frank Capra
A film about an unexpected media sensation run amok on the American public, Meet John Doe stars Barbara Stanwyck as …
Modern Times
Directed by Charlie Chaplin
Perhaps Chaplin’s foremost contribution to the preeminent art form of the 20th century and routinely voted amongst the greatest films …
Starship Troopers
Directed by Paul Verhoeven
Ostensibly a huge dumb sci-fi blockbuster starring mid-’90s Hollywood lukewarm up-and-comers, in lesser directorial hands Starship Troopers would have been …
The Grand Illusion
Directed by Jean Renoir
A humanistic, sensitive masterpiece nearly unparalleled in cinema history, Renoir’s WWI drama concerns the trials and tribulations of a group …
The Insider
Directed by Michael Mann
A scalding exposé of big tobacco, government lobbying practices, and the methods that power will leverage to silence its critics, …
The Man Who Shot Liberty Valance
Directed by John Ford
“This is the West, sir. When the legend becomes fact, print the legend.” That most famous of lines from John …