Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles

Directed by Chantal Akerman

Chantal Akerman’s Jeanne Dielman and Saute ma ville are both depictions of a woman’s work in the home, but portray

Rue Mallet-Stevens, Hôtel Monterey & Trois strophes sur le nom de Sacher (1972-1989)

Directed by Chantal Akerman

This program presents three Chantal Akerman films from 1972 to 1986, including one of her first feature films made in

Lettre d’un cinéaste, Chantal Akerman par Chantal Akerman & Autour de “Jeanne Dielman”

Directed by Chantal Akerman

This program presents three films across three decades on artist/filmmaker Chantal Akerman, who directs two of the films in which

Letters Home

Directed by Chantal Akerman

CANCELLED—On 11 February 1963, Sylvia Plath, poet and author of The Bell Jar, thirty years old, married, with two children, killed

D’Est (From the East)

Directed by Chantal Akerman

D'Est is Chantal Akerman’s first documentary film shot on trips taken as the Soviet system was about to collapse, and echoes

J’ai faim, j’ai froid & Portrait d’une jeune fille de la fin des années 60 à Bruxelles

Directed by Chantal Akerman

CANCELLED — Young female characters take the lead roles in Akerman’s early films in which they seek their own identities

News from Home

Directed by Chantal Akerman

Akerman returned to New York in 1976, having blazed a trail in Europe with her extraordinary Jeanne Dielman, 23 Quai

Histoires d’Amérique (Food, Family, and Philosophy)

Directed by Chantal Akerman

Shot in New York, Akerman’s first English-language film Histoires d’Amerique conjures up an informal history of Jewish life over the

Je tu il elle

Directed by Chantal Akerman

Like her spare, haunting portrait of a wandering filmmaker Les Rendez-vous d'Anna (1978), Akerman originally wrote Je tu il elle

Le 15/8 & Dis-moi

Directed by Chantal Akerman

These three early Chantal Akerman films (spanning the 1970s) bring together different structures by which Akerman finds her own voice—through