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This film was originally slated to screen during PIFF 43
Directed by Justine Triet
France/Belgium | 2019 | 100 mins.
A Music Box Films release

Psychotherapist Sibyl (Virginie Efira) returns to creative writing—her first passion—but lacks creative spark, until a situation with one of her patients, a pregnant young actress, proves too difficult to resist fictionalizing.


Martin Eden

This film was originally slated to screen during PIFF 43
Directed by Pietro Marcello
Italy/France/Germany | 2019 | 125 mins.
A Kino Lorber release

Luca Martinelli delivers one of the year’s finest performances as the titular Martin Eden, an aspiring young writer increasingly radicalized by turn-of-the-20th-century Italian social conditions.


Vitalina Varela
This film was originally slated to screen during PIFF 43
Directed by Pedro Costa
Portugal • 2019 • 124 mins.
in Portuguese with English subtitles

In this follow-up to Costa’s incredible Horse Money (a PIFF38 selection), Vitalina Varela, a widow from Cape Verde, travels to the Fontainhas neighborhood of Lisbon for her husband’s funeral after 25 long years apart—having learned of his death only three days before her arrival. Vitalina must piece together the last two decades of his life, as she encounters his friends, co-workers, neighbors, and the local priest (portrayed by Costa regular Ventura) in her search for answers, closure, and a new beginning in Fontainhas. Bridging past and present with his haunting, shadow-heavy visual compositions that conjure the chiaroscuro paintings of the Renaissance more than anything in contemporary cinema, Costa sculpts a quiet, intense ghost story around Vitalina’s unforgettable portrayal of a woman unmoored, but seeking peace. A Grasshopper Film release.


This film was originally slated to screen during PIFF 43
Directed by Ivete Lucas & Patrick Bresnan
United States • 2019 • 110 mins.

Following last year’s exceptional short documentary Skip Day (a PIFF42 selection), with Pahokee up-and-coming filmmakers Lucas and Bresnan fashion a detailed, engaging portrait of four high school seniors in the rural Florida Everglades. A nuanced portrait of the many pressures faced by youth in contemporary America, the film also takes ample time to show us joy, from sporting events to school dances and beauty contests, revealing a complex community saturated with solidarity and deep insecurity about the future. The filmmakers thoughtfully observe the community, refusing to editorialize, but rather, allowing the lives lived— replete with happiness, sorrow, confidence, and anxiety—to shape their work. Pahokee amplifies the realities of youthful experience and gives us an unforgettable portrait on the cusp of a new decade.


Marona’s Fantastic Tale
This film was originally slated to screen during PIFF 43
Directed by Anca Damian
France/Romania/Belgium | 2019 | 92 mins.
A GKids release

This emotional, shape-shifting animated film follows Marona, an extremely cute dog who recounts her life, how she related to the world around her, and the humans she loved.


The Dark Divide
Directed by Tom Putnam
United States | 2020 | 92 mins.

Based on the story of renowned butterfly expert Robert Pyle (David Cross) who embarked on a life-changing trek through one of America’s most important unprotected wildlands in the summer of 1995.


Where the House Was
Directed by Ryan Adams
United States | 2019 | 58 mins.

The Hugo House in Seattle was a Victorian house, turned theater, turned café, and finally, an artist residency that was a haven for writers, poets, and artists. Like in other cities, urban renewal and gentrification came for the house, to make way for mixed-use apartments, but not before co-founder Frances McCue captured what made this such a special place in the Seattle fabric. What follows is the history of not only the house, but the house’s namesake: a working-class Seattle poet whose unique style of “triggering town” is still influencing a generation of writers. Told through archival footage, recordings, animations, and a bold last hurrah, Where the House Was is a loving nod to the historical importance of places that act as conduits for creativity—and the very breath that makes urban spaces so unique.

The Northwest Film Center recognizes and honors the Indigenous peoples of this region on whose ancestral lands the museum now stands. These include the Willamette Tumwater, Clackamas, Kathlemet, Molalla, Multnomah and Watlala Chinook Peoples and the Tualatin Kalapuya who today are part of the Confederated Tribes of Grand Ronde, and many other Native communities who made their homes along the Columbia River. We also want to recognize that Portland today is a community of many diverse Native peoples who continue to live and work here. We respectfully acknowledge and honor all Indigenous communities—past, present, future—and are grateful for their ongoing and vibrant presence.