![]() |
|
|
|
|||||||||||||
|
Schedule Archives
Festivals Archive 2013
Volume 1
2012
Volume 6
Volume 5 Volume 4 Volume 3 Volume 1 2011
Volume 6
Volume 5 Volume 4 Volume 3 Volume 1 2010
Volume 6
Volume 5 Volume 4 Volume 3 Volume 1 2009
Volume 5
Volume 4 Volume 3 Volume 2 Volume 1 2008
Volume 6
Volume 5 Volume 4 Volume 3 Volume 1 2007
Volume 7
Volume 6 Volume 5 Volume 4 Volume 3 Volume 1 2006
Volume 6
Volume 5 Volume 4 Volume 2 Volume 1 2005
Volume 5Volume 4 Volume 3 Volume 2 Volume 1 2004
Volume 6Volume 5 Volume 4 Volume 3 Volume 2 Volume 1 2003
Volume 5Volume 4 Volume 3 Volume 2 Volume 1 2002
Volume 4Volume 3 Volume 2 Volume 1 2001
Volume 5Volume 4 Volume 3 Volume 2 Volume 1 2000
Volume 4Volume 3 Volume 2 Volume 1 1999
Volume 5Volume 4 Volume 3 Volume 2 Volume 1 1998
Volume 5Volume 4 Volume 3 |
The Films of Bruce Baillie
The film center and 40 Frames (www.40frames.org)welcome legendary experimental filmmaker Bruce Baillie to Portland for two programs of his classic works. One of the seminal forces of the 1960s experimental film community in San Francisco and "New American Cinema" movement, Baillie's early films integrated a spiritual, lyrical sensibility with a sensitive regard for the qualities inherent in the film form. Co-sponsored by Portland State University English Department, Film Studies Minor.
"The career of Bruce Baillie has two central aspects which are also features of the whole American avant-garde film movement. First, his films are generally intensely poetic, lyrical evocations of person and places in which the subject matter is transformed by the subjective methods used to photograph it. Second, many of his films display a strong social awareness, describing attitudes critical towards, and alienated from, mainstream American society. In many cases, Baillie fuses these concerns within single films. Stylistically, Baillie's films are characterized by moments of haunting, evanescent beauty. An object will appear with spectacular clarity, only to dissolve away an instant later. Light itself often becomes the subject, shining across the frame or reflected from objects, suggesting a level of poetry in the subject matter that lies beyond easy interpretation. Baillie combines images with other images, and images with sound, in dense, collage-like structures. Thus, many of his films cut frequently between scenes, or superimpose objects on each other. One is constantly aware of a restlessness, an instability, which seems to result from his images' appearance and flow. It is significant, too, that many of Baillie's films contain, or are structured as, journeys." –Fred Camper
|
||||||||||||
| © 2009-2013 NWFilmCenter | home | location | contact | info@nwfilm.org | p: 503-221-1156 | A-VIBE Web Development | ||||||||||||