POLISHING YOUR SHORT

SATURDAY, NOVEMBER 6, 10 AM GUILD THEATRE
Length doesn’t matter. That is festival programmer Warren Etheredge’s mantra forshort filmmakers. It’s the power of the images and the savvy of the storyteller that make for a great movie. Etheredge has watched thousands of short film submissions in the past five years as programmer for the 1 Reel Film Festival at Seattle’s Bumbershoot, among the nation’s best-attended celebrations of short cinema. Join Etheredge for a seminar during which he’ll reveal the cinematic secrets he’s gleaned from overexposure— the qualities shared by successful film, how to accomplish it no matter what the budget, and how to find success on the festival circuit. Along the way he’ll screen a handful of great shorts—and excerpts from a few of his favorite stinkers—to illustrate, inspire and share the pleasure and pain. (TUITION: $20) TO REGISTER: (503) 276-4259

FACE THE NATION: SELLING YOUR PROJECT TO PUBLIC TELEVISION
SATURDAY, NOVEMBER 6, 2:30PM GUILD THEATRE

Public television provides many opportunities for independent filmmakers to distribute their work, gain national exposure, and perhaps most importantly, get paid. But public television also has very specific guidelines for the type and format of projects it will accept for broadcast. Lois Vossen, program producer for the Independent Television Service (ITVS), Dave Davis, OPB documentary producer and Sam Green (this year’s Festival Judge) will discuss the application process and provide valuable advice for the next step to take with your project. She will also be available, on a limited basis, to provide one-on-one advice on your finished documentary project. Filmmakers interested in reserving a session with Vossen should contact Andrew Blubaugh at Andrew@nwfilm.org.
FREE ADMISSION


SHAKING THE MONEY TREE: HOW TO GET GRANTS & DONATIONS FOR FILM & VIDEO
SUNDAY, NOVember 7, 9:30 am-4 PM NWFC SCHOOL OF FILM

MORRIE WARSHAWSKI Warshawski’s workshop combines a holistic and practical approach, sharing street-tested advice and presenting real life case studies of success. The goal is to help filmmakers attractively position their project, identify and address their strengths and weaknesses as fundraisers and draw upon appropriate fundraising tools effectively. Topics include: adopting an effective fundraising mindset, identifying prospects, approaches to foundations and corporate sources, how to throw a fundraising party, in-person pitches to individuals, direct mail appeals and elements of the successful written proposal. Detailed handout packet included. 1 SESSION (TUITION: $75)

JUMPSTART YOUR CAREER IN FILM/VIDEO
MONDAY, NOVember 8, 6-10 PM NWFC SCHOOL OF FILM

MORRIE WARSHAWSKI Sometimes independent filmmakers, whether entry level or mid-career, need to look beyond defining themselves in terms of individual projects and develop tools and approaches that support long-range career planning. Topics include: creating a personal mission statement; assessing one’s financial, artistic and personal goals; marketing oneself with confidence and integrity; promotion tools that work; and how to identify and work with “circles of influence” that will help shape your career. 1 SESSION (TUITION: $75)


ENROLL IN BOTH SHAKING THE MONEY TREE AND
JUMPSTARt YOUR CAREER FOR $135.


THE BUSINESS OF MUSIC IN FILM
SUNDAY, NOVEMBER 7, 12 PM GUILD THEATRE

Join Rumblefish CEO, Paul Anthony, for an interactive discussion about the business of music in film production. Creatively, you may know exactly what you want, but how do you get legal and affordable music clearance from the local emo band, or from major label artists? How do you handle actors who sing on camera, songs playing on radios in the background, or performances by artists? What’s included in a music budget? Don't let improperly licensed music compromise your production or block your opportunities with festivals and distribution.
(TUITION: $20) TO REGISTER: (503) 276-4259

SAM GREEN: THE BUSINESS OF MUSIC IN FILM
SATURDAY, NOVEMBER 6, 11 AM WHITSELL AUDITORIUM
Sam Green has made a career of turning his investigative eye on society's impassioned misfits and idealists with incisive, powerful and thoroughlyresearched results. In THE RAINBOW MAN/JOHN 3:16 (1997), the addictive nature of media attention drives an otherwise reasonable man to the brink of insanity. PIE FIGHT '69 (2000) documents an absurd but well planned protest at the 1969 San Francisco Film Festival. Green will share his technique for researching documentary topics and gaining access to information necessary to make your documentary as compelling as possible. (TUITION: $20)